

Exactly. DEI as a term is just a lightning rod for idiots at the moment so maybe you just publicly stop calling it that and keep everything else the same.
Exactly. DEI as a term is just a lightning rod for idiots at the moment so maybe you just publicly stop calling it that and keep everything else the same.
I dunno how to interpret this honestly. On its face this reflects poorly on Paramount, but we live in an oligarchy and I don’t really blame them for trying to avoid pissing off the volatile baby that runs this country when DEI can still be achieved without using that terminology directly.
Is there evidence that this division of their corporation was actually doing anything different than before the term DEI even existed? Or that Paramount has current issues with diversity?
Yes? It’s been renewed, and should premiere this year.
Sorry, I don’t care what Kurtzman says about this (or an actor that is obliged to defend a project he was in) when it’s justifying putting out schlock for mind share. If that’s the best we can do, let it die - it doesn’t make anything that exists any worse.
Trek needs a good show that stands alone and isn’t aimed at us but a fresh audience. That means no cameos, limited references, not animated (that is a stigma as much as I love LD), and actually taking the time to get people invested.
Basically, they needed Discovery to not be garbage. I know non-Trekkies that were actually excited for a new sci-fi romp and got turned off almost immediately by the nonsense writing. Not the cast, or stupid out of universe concerns about being “woke” or some shit, just plain out “this makes no sense and isn’t fun to watch” and it was hard to disagree.
Everything since then has lived in Discovery’s shadow in terms of new audience and has mostly dealt with that by being aimed at fans of 90s Trek and nobody else. Prodigy may be an exception here, but that suffers from being oriented at kids.
I wouldn’t do a mailing list these days, but as someone who spent the early part of my career interacting with devs that preferred this method, it’s actually pretty ergonomic by a 2005 standard. A message thread aware, text based email client that can turn messages into patches in a keystroke makes it actually pretty comparable to modern code review…
I think it’s hard for younger devs to get this because they’re used to email being stuck in a crappy, unthreaded browser interface or Outlook etc. (which are terrible for mailing lists) and most collaboration taking place in code review and chat platforms like Teams/Slack but for decades before these were feasible, email was the way…
I will watch this, but only because I’m fairly certain Neuromancer is unadaptable to the screen. The thing that makes William Gibson great is the fantastic way he writes, leaving so much to the imagination but creating a definite vibe. When you have to fill out every single detail to render it on screen, it’s not going to be the same work. I’m sure It’ll share characters and plot points, but these are not the things that make Neuromancer such a classic.